Ethnography of the Museum at Warm Springs
The warm springs Museum is a big aggregation of historical artefacts of The Confederated Tribes of Warm Springs. The Confederated Tribes of Warm Springs consist of the Sahaptin-speaking Tenino Indians, Two sets of Wasco Indians and the Northern Paiutes Indians. The Museum at Warm Springs is located on the Warm Springs Indian Reservation in Jefferson County Oregon. The thought for the Museum at Warm Springs was foremost conceived in the 1960’s ; in 1974 the first Board of the Middle Oregon Indian Historical Society was created ( subsequently renamed to The Museum at Warm Springs ) . The first executive manager for the museum was non hired until 1987 and in 1988 the folk voted in favour of a $ 2.5 million fund for the museum. It was subsequently raised to $ 3.22 million and an extra $ 3.1 was raised through grants and contributions from both commercial and single givers. The entire cost of the museum undertaking was $ 7,628,493. The museum eventually opened decennaries after its initial construct in 1993. The consequence was a alone 25,000 square-foot cultural landmark located in the metropolis of Warm Springs Oregon. ( “The Museum at Warm Springs” )
There are two possible waies to go when embarking to the Museum at Warm Springs. Coming from Portland you head East on United States highway 26 and follow it all the manner until geting at the museum, located straight off the main road in Warm Springs Oregon. Coming from cardinal Oregon ( Madras, Redmond, and Bend country ) head North on United States highway 26 and likewise follow the main road all the manner into Warm Springs and to the museum.
I have had the chance to drive to the museum or through Warm Springs both ways many times and each attack has a alone feel. Coming from Portland is a long thrust ( about 2 hours ) but an interesting thrust however. Not long after go outing the Portland metro country you enter into the Mt. Hood National Forest. The thrust is beautiful ; it has picturesque positions of Mt. Hood seen from your auto and the dense alcoholic wood that surrounds it. As you enter into the Warm Springs Reservation you exit the national wood and get down to come in into the high desert climate cardinal Oregon is known for. No more exuberant wood but instead huge sweeps of dry waste land. As you make your concluding attack into Warm Springs and to the museum you descend into the canons created by the Deschutes River and others about. This beautiful thrust with a assortment of scenery truly gives you a gustatory sensation of the diverseness of this land.
Coming from cardinal Oregon is a much shorter thrust, when I visited the museum I left from my place in Madras Oregon ( about a 20 minute thrust ) . This thrust is much different than the thrust from Portland. Along this way there is no wood but there are huge sweeps of irrigated farming area between Bend and Madras, and even for a piece after Madras. This is a blunt contrast from how these lands used to be, as discussed subsequently these lands were antecedently ne’er farmed and were harvested for of course turning wild workss. Similar to the thrust from Portland your concluding attack is the descent down into the canon and across the Deschutes River. This thrust accentuates the alterations that have been made to the lands that were antecedently controlled by Native Americans.
I arrived at the Museum at Warm Springs and felt enveloped in Native American Culture. The architectural design of the installation itself was genuinely a sight to be seen. A tall piece of art is at the forepart of the edifice, a big circle held up by two square tubings. At the base there is a pool surrounded by bowlders. A big unit of ammunition wall built of elderly stones surrounds the entryway to the museum. The environing brick edifice is patterned to look like a traditional Native American weave. Above the museum the extremums of multiple subdivisions of roof seem to resemble mountains. And around the back structural supports that look like a tepee. Above the entryway in big contrasting missive reads, “TWANAT, ” ( seen in Figure 1 above ) a Sahaptian word significance “to follow tradition.” ( Gottberg ) . The design of the installation is genuinely one of a sort, designed to resemble a traditional campsite sitting along the Shitike Creek. The edifice in itself is a alone testimonial to the civilization of the Native American folk that built it.
Inside the edifice gives a really soothing feeling, tonss of natural visible radiation and open beams. To the right the exhibits start. The first is a short movie stating the history of the three folks that make up the alliance of folks in Warm Springs. The picture bluffly tells the narrative of how “White Men” forced them off their land, and how “vastly outnumbered” and outgunned they were and they had no pick but to subscribe the pact that was forced upon them. The picture references many pieces of the land they used to populate on, including Celio Falls. The exhibits start by explicating the civilization and heritage of the folk. The exhibits explain the primary nutrient beginnings utilized by the folks. With huge cognition of the lands and natural harvests there was no demand for agribusiness, and the rivers provided plentifulness of fish. One exhibit in peculiar discusses how the comfortable fishing at Celio Falls was and how it a trading hub was formed at that place as a consequence. The exhibits go on to state the narrative of the folk. Another peculiar interesting exhibit discussed how the kids of the folks were forbid to utilize their native linguistic communication in school and forced to lose sight of their heritage.
The synergistic exhibits of the museum inform visitants to the museum of the civilization and history of the Confederation of Tribes. Voices of tribal seniors can be heard throughout the museum explaining and walking visitants through exhibits. Other synergistic exhibits include larning words in the three different linguistic communications of the folks and larning a traditional Native American hoop dance and even a basket weaving exhibit. In Figure 2 above you can see the weave of narration I created during my visit to the museum. There are many other exhibits that tell the narrative of the Confederation of Tribes including lifesize reproduction of tepee, artifacts from traditional ceremonials and many more exhibits that show and explicate valuable cultural artefacts.
In add-on to the synergistic exhibits at the museum there are besides celebrations and plans held at the museum. The celebrations hosted by the museum come in a broad assortment, anything from golf tourneies to canoe journeys and the Huckleberry harvest jubilation. The plans hosted by the museum are typically intended as cultural instruction and include weaving and membranophone devising. The museum besides hosts traditional ceremonials on juncture. These celebrations, plans and ceremonials are all ways that the museum is working to link both young person and older member of the folks likewise to their heritage.
The creative activity of the museum was sparked by decennaries of the seniors of the folk of the Warm Springs watching their civilization easy erode. The young person of the folks were losing sight of whom they were and where they came from. Worried that this would go on until the inevitable complete loss of the confederated folk of Warm Springs’s civilization in the 1960’s the realisation was made that they needed to construct a museum. Since its concluding completion decennaries subsequently the museum has served as cultural vault for the folk. It has preserved the linguistic communication through Hagiographas and through recorded voices of tribal members that are used throughout the museum. It besides preserves historical artefacts from all the folks and educates the young person of the folks about their heritage. And it houses tribal archives although these are by and large non publically accessible.
The Museum is now and will everlastingly be the topographic point for saving and recollection of the civilizations of the Confederate folk of warm springs. The museum is an emotional site for many seniors of the folk. The museum is maintaining the heritage of the folks alive through its exhibits and through the celebrations held at the site. The museum has become the bosom of the Warm Springs reserve. The museum and its installations give members of the folks an country to retrieve their yesteryear and connect with their ascendants.
Gottberg, John. “ Northwest Travel: Warm Springs. ”The Bulletin. N.p. , 12 Feb. 2012. Web. 8 Aug. 2014. & A ; lt ; hypertext transfer protocol: //www.bendbulletin.com/news/1353993-151/northwest-travel-warm-springs # & A ; gt ;
Mcneel, Jack. “ Warm Springs Museum Keeps Legacy Alive. ”Indian Country Today Media Network. N.p. , 13 July 2005. Web. 8 Aug. 2014. & A ; lt ; hypertext transfer protocol: //indiancountrytodaymedianetwork.com/2005/07/13/warm-springs-museum-keeps-legacy-alive-97496 & A ; gt ;
“ The Museum at Warm Springs – Culture. History. In Living Color. ”The Museum at Warm Springs. N.p. , n.d. Web. 6 Aug. 2014. & A ; lt ; hypertext transfer protocol: //www.museumatwarmsprings.org/ & A ; gt ;